Established in 1995 exploring the shifting threshold between analog and digital.
Moving between the real world and algorithmic abstractions, perception, memory, and emotions.
Compress, and re-emit through artistic expression and technological systems and also a lot of fun nonesensical experiments in groove.
The (in)famous original 1996 bass grooves - here zom183 playing (don't forget to unmute your phone and contact me if you want to use some for your projects ;) ) another loop! une autre boucle!
Generative Art and Neohumanities capture from the live-code elements of a project including dynamic agents, generative AI, and real-world performance.
IRCAM Rave Model Award for training a realtime hybrid bass/guitar instrument model using a 2007 protocol-art dataset from two live musicians to see the plausibility of new creative horizons using artificial intelligence.
Matière Numérique's mythology is about the empty black pixel as god and his offspring express through artefacts and aliasing. A journey on the interface between the digital and the analog, the ghosts of inexistence and materiality.
