Established in 1995 exploring the shifting threshold between analog and digital.
Moving between the real world and algorithmic abstractions, perception, memory, and emotions.
Compress, and re-emit through artistic expression and technological systems and also a lot of fun nonesensical experiments in groove.
The (in)famous original 1996 bass grooves - here zom234 playing (don't forget to unmute your phone and contact me if you want to use some for your projects ;) ) another loop! une autre boucle!
Meat - Rencontres Arles 2016 Researching the boundaries between abuser and victim, how roles can appear and disappear, how concreteness can become ethereal and emotions prevail (supervised by Antoine d'Agata).Exhibition with prints and intermedia at Luma Arles, Parc des Ateliers.
IRCAM Rave Model Award for training a realtime hybrid bass/guitar instrument model using a 2007 protocol-art dataset from two live musicians to see the plausibility of new creative horizons using artificial intelligence.
Brebis Cruncher experimental work using full generative AI models to create the audio / music / images for a web 3.0 approach to the director's role and reverse generative AI processes
