Established in 1995 exploring the shifting threshold between analog and digital.
Moving between the real world and algorithmic abstractions, perception, memory, and emotions.
Compress, and re-emit through artistic expression and technological systems and also a lot of fun nonesensical experiments in groove.
The (in)famous original 1996 bass grooves - here zom314 playing (don't forget to unmute your phone and contact me if you want to use some for your projects ;) ) another loop! une autre boucle!
Matière Numérique's mythology is about the empty black pixel as god and his offspring express through artefacts and aliasing. A journey on the interface between the digital and the analog, the ghosts of inexistence and materiality.
IRCAM Rave Model Award for training a realtime hybrid bass/guitar instrument model using a 2007 protocol-art dataset from two live musicians to see the plausibility of new creative horizons using artificial intelligence.
BootyMachine Alias self-training a generative model using Alias.Studio's software to illustrate the BootyMachine 2007 protocol experiment's approach to watermark future datascraping meant for AI model training
